College Open Textbooks BLOG
Driving Awareness and Adoption
What’s New in OER at Scottsdale Community College?
Faculty in the Mathematics Department at Scottsdale Community College have been working hard this year to create, revise, and organize materials for our OER project in several of our courses. This is exciting for all of us!
Our goal is to offer all of our MAT 09x Introductory Algebra, MAT 12x Intermediate Algebra, and MAT 150 College Algebra courses using OER materials starting this Fall 2012. During the 2011-2012 academic year, we have pilot tested our materials, formed a learning community of very talented mathematics faculty, and collaborated with each other to further refine the OER textbook, student support materials, and online homework assignments. This summer, several faculty (Bill Meacham, Judy Sutor, Jenifer Bohart, Donna Guhse, and Linda Knop) will be working hard to take what we have learned from our spring pilot and, once again, refine these materials. The exciting part of the refinement process is that we have complete control over the quality of what we adopt to support our classes! We love this!
Recently, our OER team received the SCC Innovation of the Year Award. Only 1 team per college in the Maricopa Community College District receives this award. As a result, we were invited to give a presentation in hopes of receiving the widely sought-after District Innovation of the Year Award. The presentation slides are available at: OER Innovation of the Year. Wish us luck that we are awarded our District IOTY Award very soon!
As part of our OER project, our learning community has restructured the course so that we provide meaningful support for students, both inside and outside of the classroom. 
Before class, students can complete a “mini-lesson” to help prepare them for the next class session. During class, they receive instruction and engage in paired board work. After class, they use iMathAS and problem solving activities to support their learning. The next class session then allows for more active learning and engagement with the mathematics. Outside of the classroom, students’ learning is supported by the OER textbook and video tutorials created by MathIsPower4U’s James Sousa, as well as the Khan Academy.
Students have been appreciative of our efforts to use free (or nearly free!) materials for their mathematics courses. In fact, feel free to watch a couple of student testimonials about their experience in an OER math class. It’s exciting to hear that they are using technology — their smartphone, their tablet, etc. — to complete online homework and to access the textbook.
It’s a wonderful time to be teaching college mathematics!
Exemplary open textbooks and methodology: ChemWiki and its Progeny
ChemWiki not only shines as an exemplary series of open-licensed chemistry textbooks, it has spawned
Professor Delmar Larsen of the University of California at Davis heads the ChemWiki project, a series of online textbooks including Analytical, Biological, Inorganic, Organic, Physical, and Theoretical Chemistry plus the History of Chemistry and Lab Techniques. All are licensed Creative Commons Attribution Non-Commercial Share-Alike. Students and instructors contribute to the textbooks that are constantly improved.
ChemWiki includes more than 6,000 pages with high-quality illustrations. Individual pages in ChemWiki can be printed or turned into Adobe PDF files. Contributors include more than 30 chemistry professors and students as well as web technologists and publicist Richard Osibanjo.
ChemWiki provides maps to popular commercial general, organic, and physical textbooks.
Here are the pages showing how other colleges and universities are starting to incorporate the UC Davis ChemWiki into their courses:
- Columbia University
- Contra Costa College
- Diablo Valley College
- Hope College
- J. Sargent Reynolds Community College
- New Mexico State University Alamogodro
- University of Minnesota at Morris
- Truman State University
College Open Textbook grantee communities include two based on the UC Davis series:
- 3-D Molecular Models in ChemWiki: Dr. Ron Rusay and colleagues at Diablo Valley Community College
- PhysWiki Dynamic Textbook project: Professor Erik Christensen at South Florida Community College and a colleague at Monroe Community College, NY. Erik was named a College Open Textbooks Outstanding Open Textbooks Advocate/Trainer in 2010.
A special feature of the UC Davis wiki texts is the Student Ability Rating and Inquiry System (SARIS) , a tool for tracking student progress based on PracticeZone.
PracticeZone is part of the ChemVantage academic program learning and assessment program for General Chemistry that includes jargon used in mastering video games. Chuck Wight of the University of Utah founded ChemVantage. “We have configured the software to allow students to submit proposed solutions to the problems as often as they want, in order to improve their scores. The objective is for students to use the feedback to correct their errors prior to the deadline for the assignment.” ChemVantage carries a Creative Commons Attribution license.
College Open Textbooks delights in publicizing the wiki texts from UC Davis, the use of these by several institutions, and the exciting approach to chemistry education from the University of Utah.
Poetry is Not a Widget: The Priceless is Right
A Jenny Holzer plaque showing a poem engraving. (Photo by gredaline on Flickr.) Courtesy of MIT OpenCourse on Reading
Poetry is Not a Widget: The Priceless is Right
Suggested listening: Alice Coltrane, The Impulse Story
I write this now listening to the late harpist, pianist, organist, virtuoso Alice Coltrane cast spells in her ethereal “Journey in Satchidananda.” I am privileged to have seen her perform with her son Ravi and members of the original John Coltrane Quartet in San Francisco, November 2006, one of only two performances before her untimely death, and after her protracted spiritual reclusion from the stage and the public. For me, her music, especially this exquisite creation, is an analogue for the best of poetry: deft in its experimentation and breadth; precise in its openness; welcoming of warmth, musicality, emotion; wise in its scaffolding of history; innocent in its play; and, generous to both the creator and her audience for, as a work of high craft, when the work is ineffable, one is still encouraged to explain it for there is always something familiar in the seeming unfamiliar, always something intimate in the deepening canvas of seeming generalized experience. As a writer and artist myself, I know that Alice Coltrane did not choose her craft. Her craft chose her. And we are most grateful for this arranged marriage!
I speak to the luminosity of Alice Coltrane because her body of work as well as her actual life illustrate the profound gifts art offers the mundanity, discord, and ravages of daily human life. At this time in our present history, the public display of contempt for intellectual vibrancy and its artistic articulation in the verbal, written, visual, and musical arts is at an all-time high. One can look anywhere in our mainstream landscape and find disparagement of that which is sophisticated, complex, and beautiful in the way only the search for truth, wisdom, and humanity can be. This attack has now infiltrated the very protectorates of art, intellectual integrity, humane humanity, and those who teach and live within such purview: public colleges and universities. Specific attacks are now being waged upon disciplines that encourage free thinking, intellectual diversity, and artistic expression, especially humanities and arts.
Because of the current groupthink among powerful decision-makers such as private industry moguls, government officials, and college and university administrators, all of whom are now forming alliances for profit-centered, assembly-line educational models, then certainly those courses and disciplines most vulnerable are those that provide intellectual space for human expression and possibility, not profit generation. Nationally there are stories of humanities, arts, and social science courses being cancelled or usurped. There are now instances where entire programs such as creative writing or music appreciation are being discontinued. When colleges and universities become businesses and teachers become sales executives, then students become products, commodities for sale in the market of linear conformity. This sabotage will result in intellectual docility and, most disturbingly, artistic death. Without art, culture does not survive.
Musical compositions, philosophical dissertations, visual arts, and poems are not widgets. Humanity is not a widget. Though the leadership efforts are dramatically in this direction, human experience – and the minds creating it – are not yet entirely for sale. Poetry is an acute reminder and reclamation of that which can never be bought or sold: truth, justice, generosity, compassion, beauty, and love.
Thus, the open education movement provides critical resistance to such nefarious profiteering by making art – especially written art – widely accessible and free. Moreover, because poetry is the elegant articulation, defense, and honor of organic experience, its accessible and free status via the open course environment ought to remind wayward educational profiteers that there are better, creative, humane ways to save and generate money in the noble profession of education. For artists and teachers, the issue is moot: art is human and humane. Art, simply, is self-sustaining.
There are some fantastic things happening in literary arts inside and outside academia. Yet, the most robust resources are housed and nurtured by academic institutions. There are ample offerings in traditional and experimental poetics, within a variety of platforms, such as open courses, open formats, institutional programs, electronic archives and magazines, digitized books and papers, and the viral glee of social networking technologies. Below the closing poem is a brief listing of innovative resources, by no means exhaustive. Please use and share generously.
In acknowledgment of the redemptive and restorative energies that poetry gives the world, I will close with one of my favorite poems by Lewis Turco. This poem is written in the Japanese form called Somonka, an epistolary love poem made up of two tankas, an extension of the haiku, wherein each tanka follows a line syllable count of 5-7-5-7-7. The first tanka is a statement of love, and the second is a response.
Epistles: The Tarot IX of Swords
I am writing you
from a pit. It is quite dark
here. I see little.
I am scratching this note on a stone.
Where are you? It has been long.
Thank you for your note.
I do not know where I am.
I believe I may
be with you. It is not dark
here. The light has blinded me.
–Lewis Turco, Poetry Magazine, July 1972
Open Licensed Internet Resources for Poetry
MIT (Massachusetts Institute of Technology) Courses (CC BY-NC-SA 3.0 license)
http://ocw.mit.edu/courses/literature/21l-004-reading-poetry-spring-2009/
http://ocw.mit.edu/courses/writing-and-humanistic-studies/21w-756-writing-and-reading-poems-fall-2006/
The Open University (CC BY-NC-SA 2.0 license)
http://openlearn.open.ac.uk/course/view.php?id=3007
Free but not open Internet Resources for Poetry
The Poetry Archive (copyright license)
http://www.poetryarchive.org/poetryarchive/home.do
The Internet Archive – search for “poetry” (copyright license)
Electronic Poetry Center at New York State University, Buffalo (copyright license)
Informative "An Open Mind" Article by Katie Hafner in the NY Times
Katie Hafner has contributed a great article in the NY Times which covers lots of bases with respect to Online Education Resources.
To quote their summary..
“Putting free courseware online was a first step in reimagining education. What now? Wiki U’s, smart courses and, maybe, learning.”
The article includes interesting information on the Open University in the UK, Ithaka S&R, MIT Open CourseWare, Hewlett Foundation, Carnegie Mellon Open Learning Initiative, Open Yale Courses, Peer2Peer University, University of the People, and some good discussion of what is going on behind the scenes.
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